2025 №32
Articles
Dvoskina Elena Markovna
Farlaf as a Super-Hero
Naumov Aleksandr Vladimirovich
Mikhail Glinka’s Vocal Embellishments: between Decoratio and Propositio
Vinogradova Anna Sergeyevna
Episodes from the History of Savva Mamontov’s Private Opera (Shalyapin, Rakhmaninov, and Others)
Kovaleva Yuliya Vyacheslavovna
A Singing Manual in the Chesnokov Family
Yusupova Vera Vladimirovna
César Cui’s Three Tenors: On the History of the First Performance of the Vocal Cycle to Poems by Aleksey Konstantinovich Tolstoy
The Fall of Berlin — А Film by Mikhail Chiaureli with Music by Dmitriy Shostakovich: An Essay on the History of One Artifact of the Stalin Era
Savenko Svetlana Il’inichna
On the Archaeology of the Soviet Musical Avant-Garde of the 1960s
Bakhtiiari Farhad Faritovich
From the History of Musical Culture of the Volga-Urals: The Regional Instrumental Tradition
In memoriam
Petukhova Svetlana Anatol’evna
To Lyudmila Zinov’evna Korabel’nikova on the 95th Anniversary (Collection of Materials)
Reviews
Bulïcheva Anna Valentinovna
Petukhova S. A. Oresteia by S. I. Taneyev: Research and Documents
Research Databases
Kondrashkova Lada Vadimovna
Church Services for the Epiphany and Candlemas Day, the Annunciation to the Blessed Virgin Mary and Palm Sunday. Description of Handwritten Sources, Catalogue of Incipits, Source Tables
2025 №32
2024 №31
2024 №30
2023 №29
2023 №28
2022 № 27
2022 № 26
2021 № 25
2021 № 24
2020 №№ 1-2
2019 № 21
2019 № 20
2018 № 19
2018 № 18
2017 № 17
2017 № 16
2016 № 15
2016 № 14
2015 № 13
2015 № 12
2014 №№ 10-11
2014 № 9
2013 № 8
2013 № 7
2012 № 6
2012 № 5
2012 № 4
2012 № 3
2011 №№ 1–2