2024 №30
Articles
Natalia Plotnikova
The Musical Heritage of His Majesty’s Church Singers: Results and Prospects of the Project
Kondrashkova Lada Vadimovna
Church Services for the Nativity of the Virgin Mary, the Exaltation of the Cross of the Lord, the Entry into the Temple of the Blessed Virgin Mary. Description of Handwritten Sources, Catalogue of Incipits, Source Tables
Igor Glebov [Boris Asaf’yev]
Thoughts and Reflections Part I. About Myself
Vinogradova Anna Sergeyevna
The Music Department of the State Institute for Art Studies: The Scholars and Their Achievements (Historical Essays)
Zvereva Svetlana Georgiyevna
Marina Rakhmanova, as I Have Remembered Her
Vinogradova Anna Sergeyevna
An Ideal Team of the Edition of Tchaikovsky’s Complete Works: Interview with Ada Aynbinder In Memory of Polina Vaydman (to the 75th Anniversary of Her Birth)
Vinogradova Anna Sergeyevna
On Ol’ga Levasheva’s Monograph Edvard Grieg
Naumov Aleksandr Vladimirovich
M. D. Sabinina’s Theatrical Studies Towards the Close of the Twentieth Century (From Personal Archives)
Krivitskaya, Evgeniya Davidovna
‘I Have Never Loved Anyone As Much As I Love You’ Pyotr Souvtchinsky and Igor Stravinsky: Pages of Friendship
Ekaterina Bogdanova
Mieczysław Weinberg’s Requiem. In a Dialogue with the Canon of the Genre
DOI
DOI
2024 №30
2023 №29
2023 №28
2022 № 27
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2021 № 25
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2020 №№ 1-2
2019 № 21
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2018 № 19
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2017 № 17
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2016 № 15
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2015 № 13
2015 № 12
2014 №№ 10-11
2014 № 9
2013 № 8
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2012 № 6
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2012 № 3
2011 №№ 1–2